Salsa Dancing News and Events: Salsa Dancing Instruction
Salsa Dancing Instruction
Archive for October, 2008
Ballroom Dancing is So Great
Author: admin
If you are looking for a night out or you just want to meet new friends, ballroom dancing is a fantastic way to achieve this it doesn’t how old or young you are. The experts acknowledge that ballroom dancing is unique in that it provides both brain stimulation and physical exercise. Ballroom dancing is fun, and there are more opportunities to go out dancing than you might think. Ballroom dancing is also a great way to stay in shape and is much more pleasurable than merely exercising to music. The exciting difference between round dancing and free-style ballroom dancing is that each round dance has been fully choreographed ahead of time.
Many dance styles offer dance lessons for a minimal fee, while intricate ballroom dancing lessons will naturally cost you more. Professional dance lessons by qualified dance teachers are given in all types of dancing. You want to know the low more about dancing before you commit to lessons.
Try to find ballroom dance instructors or classes in your area. Group classes are an important aid in learning to dance. Classes are meant to show the fun in ballroom dancing and prepare everyone for a lifetime of social dancing enjoyment. In addition you should practice as much as possible.
If you do tango dancing, do you have to do other ballroom dancing too. Body language can be as important as movement with the tango:. Hip hop, jazz dance, pop-n-lock, tap, ballet, modern, lyrical, tango, ballroom dancing, flamenco dance; break dancing. Other specialties include Argentine Tango, ballroom dancing, swing, and performance arts photography. During the Nineties, of the six major Ballroom Dances, only the Tango had not been accepted by western dancing. Tango is a dramatic, sensual social dance form that originated in Buenos Aires, Argentina. It’s sexy, and step by step, whether it’s the salsa, swing, meringue or tango, ballroom dancing is sweeping across the country.
Ballroom dancing is a great way for anyone to learn how to dance, develop self-confidence, and improve social skills. Ballroom dancing is basically a performance, so a bit of a flair for the dramatic is a useful attribute. Ballroom Dancing is by definition a man and a woman moving as one. To some people, ballroom dancing is a hobby or serves as a social outlet. Even ballroom dancing is enjoying something of a renaissance. Ballroom Dancing is for students interested in developing ballroom dancing comptency/skills, coordination, rhythm, and diversity. Ballroom dancing is the best contact sport in the world. Ballroom dancing is really easy, more so than most people seem to think. Ballroom dancing is by its very nature both a competitive and/or social activity that can easily be learned and enjoyed by all.
read comments (5)What is more club dancing; salsa or hip hop?
Author: admin
I want dance nasty at a club
Well… They actually have entire clubs dedicated to salsa. Plus plenty of clubs have multiple rooms and one of those rooms usually plays reggaeton, salsa, merengue and bachata.
Hip-hop will get you looks no doubt, but trust me on this one. Salsa is much better for men looking to meet ladies. First of all, not many guys can dance salsa, meaning you automatically distinguish yourself from more than half of the other guys, secondly it gets you up close and personal with all those sexy ladies. Plus if you know how to “dirty” dance… You’ll be one satisfied man.
Plus I always find it so easy to get numbers after dancing a few good salsa songs with someone.
Either way, go out here and have fun bro.
Eddie Torres Salsa/Mambo Audio Timing CD
Author: admin
This Audio Timing CD is designed to help you find the first beat of the music, to help you hear and familiarize yourself with the CLAVE and to help you learn how to dance on time. This Audio Timing CD is designed to help people learn both Salsa (dancing on1) & Mambo (dancing on2) timing. Timing
http://cdbaby.com/cd/michellebarone Blended Hot Sexy Latin Video with Michelle Barones song “Not Gonna Get It”. Latin / POP Dance sound. Watch this if you like LQ Britain’s Got Talent / “You Think You’ve Got Talent” or “So You Think You Can Dance”, LINK YOUR Video response if you like Britain’s Got Talent! Michelle is a Singer / Songwriter from the Hudson Valley just north of NYC. This song “Not Gonna Get It” is from her album “Believe In Me”. This song best displays Michelle Barones unique ability in song writing Michelle shares her feelings and creativity through her written and performed music. Funny Animals 3
Duration : 0:3:30
Addicted(2)Salsa Episode 15 : Salsa Elements (Reloaded)
Author: admin
THE FIRST TUNE IS: “Cogele el Golpe” (Grab the Beat) by Israel ‘Cachao’ Lopez… THE SECOND TUNE IS: ‘Vitamina’ by Noro Morales… THE THIRD TUNE IS: ‘Mambo N úmero 8′ by Damaso Perez Prado…
Boogaloo (shing-a-ling, popcorn music) is a genre of Latin music and dance that was very popular in the United States in the late 1960s. Boogaloo originated in New York City among teenage Cubans and Puerto Ricans. The style was a fusion of popular African American R&B, rock and roll and soul with mambo and son montuno. Boogaloo entered the mainstream through the American Bandstand television program.
The boogaloo dance was loose and interpretive in style. Early Boogaloo used a twelve-step sequence that was later sped up into a thirty-step sequence. The most common musical feature was a mid-tempo, looping melody that doubled as the anchoring rhythm, often played on piano or by the horn section. The presence of vocals, especially a catchy, anthematic chorus, was another distinguishing feature, especially in comparison to more instrumental dances like the mambo, guajira and guaracha.
Nowadays, the footwork is similar to Pachanga, but tends to be fast and bouncy like jive and also usually counted over an eight beat pattern. In the 1950s and 60s, African Americans in the United States listened to a number of styles of music, including jump blues, R&B and doo wop. Puerto Ricans in New York City shared in these tastes, but also listened to genres like mambo or chachacha. There was much intermixing of Latinos, especially Puerto Ricans and Cubans, and African Americans, and clubs that catered to both groups tried to find musical common ground to attract both. Boogaloo was the result of this search, a marriage of many styles including Cuban son montuno and guajira, Puerto Rican/Cuban guaracha, mambo and most uniquely, American R&B/soul.
Boogaloo can be seen as “the first Nuyorican music” (René López), and has been called “the greatest potential that (Latinos) had to really cross over in terms of music” (Izzy Sanabria). Styles like doo wop also left a sizable infuence, through Tony Pabón (of Pete Rodríguez Band), Bobby Marín, King Nando, Johnny Colón and his vocalists Tony Rojas and Tito Ramos. Puerto Ricans (Herman Santiago and Joe Negroni) played a foundational role in the major doo wop group Frankie Lymon & the Teenagers. Herman Santiago was the author of the groups #1 “hit” “Why Do Fools Fall In Love”.
Though boogaloo did not become mainstream nationwide until later in the decade, two early Top 20 hits came in 1963: Mongo Santamaria’s performance of the Herbie Hancock piece “Watermelon Man” and Ray Barretto’s “El Watusi”. Inspired by these two successes, a number of bands began imitating their infectious rhythms (which were Latinized R&B), intense conga rhythms and clever novelty lyrics. Some long-time veteran Latin musicians played an occasional boogaloo number, including Perez Prado and Tito Puente, but most of the performers were teenagers like The Latin Souls, The Lat-Teens, Pucho & His Latin Soul Brothers, Joe Bataan, Joe Cuba Sextet, and The Latinaires.
The older generation of Latin musicians have even been accused of initially using their influence to repress this youth-oriented movement. The term boogaloo was probably coined in about 1966 by Richie Ray and Bobby Cruz. The biggest boogaloo hit of the 60s was “Bang Bang” by the Joe Cuba Sextet, which achieved unprecedented success for Latin music in the United States in 1966 when it sold over one million copies. Other hits included Johnny Colón’s “Boogaloo Blues,” Pete Rodríguez’s “I Like It Like That,” and Hector Rivera’s “At the Party”. Boogaloo also spread to Puerto Rico, where top band El Gran Combo released some material. Though the dance craze was over by the turn of the decade, boogaloo was popular enough that almost every major and minor Latin dance artist of the time recorded at least a few boogaloos on their albums.
The same year as Joe Cuba’s pop success, 1966, saw the closing of New York City’s Palladium Ballroom, a well-known venue that had been the home of big band mambo for many years. The closing marked the end of mainstream mambo, and boogaloo ruled the Latin charts for about two years before salsa music began to take over.
Boogaloo remains extremely popular to this day in Cali, Colombia, where the genre is played extensively, along with salsa and pachanga, in various FM and AM radio stations and hundreds of dance clubs. The Caleños also speed up Cha Cha Cha tunes, from 33 to 45 RPM, to create the boogaloo sound & rhythm to match the city’s fast dance style.
Duration : 0:6:42
Another CISC 2005 Salsa Combo
Author: admin
The Wiggles Videos – Getting Strong DVD
Author: admin
Getting Strong! is the first release in the Wiggle and Learn! DVD series. The Wiggles professional experience as early childhood educators has taught them that children learn best through play. Getting Strong! includes all new songs that children can dance, sing and learn to. Learn a new dance with “”Sporting Salsa“”, play a version of musical cushions with “”When the Music Stops”", smell, see, touch, taste and hear with “”The Five Senses”", explore language with “”A Frog Went A Walking”", examine comparative use of language with “”The Biggest Smile of All”", and compare letters and sounds of other languages with “”Yiasou Everybody!”" Run time is 80 minutes.
Salsa video
Author: admin
salsa dancing (beginner)4 pairs of salsa dancers in practica
Author: admin
This was recorded on the 5th salsa practica of August, 2006. The commentator was Chloe, the tutor of the night.
Duration : 1 min 47 sec
